The Pure Bride Blog

Kate & Mitch

Photographer / Bonnie Jenkins
Venue / Family Home Roches Beach, Lauderdale
Custom Designed Dress / Oglia-Loro Couture
Venue Styling & Flowers/ Annie Young & Bride
Catering / The Wild Kitchen, Sarah Glover
Music / Jeremy Matcham
Makeup Artist / Claire Hunt
Videographer / Yamina Gold
Bouques/Boutonnieres /Botanical florist Hobart
Celebrant / Mary Hemming
Cake / Sweet Envy
Lighting / Blackout contractors


Words By Kate…
I wanted our wedding to be very personal and reflect our natural lifestyle, to share the occasion with great Tasmanian food and wine, and to enjoy the celebration with our family and friends. 


We had around 120 guests that we hold very close to our hearts. The day was picture perfect and full of nothing but love & sunshine.

We had all of our food on display for guests to watch being cooked over open fire by the most amazing Sarah Glover (The Wild Kitchen). All the seafood was caught fresh & supplied by my husband and his closest mates that included crayfish, abalone, Blue Eye, Octopus and Calamari. Sarah and her team had pineapples & chicken hanging from chains, whole pumpkins being cooked in hot coals and the most delicious salads and potatoes. The Dinner Grazing table was outstanding. Not to mention the cheese grazing earlier on in the day and the deserts were to die for…

If I had to choose, my favourite moment of the day was sitting back at the bridal table taking in our surroundings and thinking how lucky we are to have such beautiful people in our lives, incredible families that support and love us so much.We are so grateful for each & everyone of them… Also having our Fur babies Macey the Bullmastiff & Deo the Pug a part of our Ceremony was a special moment.

Make sure that you have a huge support team around you & plan well in advance so that everything runs smoothly on your special day. As we always think that we have everything sorted but the final touches can’t be done by yourself when you’re the Bride, trust your team.

The Flower Crown

Hooray, its finally Spring! Before too long, we’ll be starting to see the resurgence of the Flower Crown, set to still be on our trend radar this summer. So why are we still so darn obsessed with them?


Flower crowns have been a symbol of love, fertility and celebration throughout history, across different cultures, from all over the world. Perhaps it’s the halo effect. Or the ultra-romantic vibe. Regardless, there is something about wearing them that just makes you feel special. 

The flower crown has been traced back to Ancient Greece, where it was  symbol of celebration. Fastforward through medieval Europe where it made particular waves in Eastern Europe, to China, where the orangs blossom wreath was customarily worn for a wedding, symbolising fertility.

Like the white wedding gown, Queen Victoria also brought the flower crown back into European fashion when she wore an orange blossom wreath  for her wedding to Prince Albert in 1840.

The flower crown has seen surges of popularity from the likes of Marie Antoinette, Frida Kahlo and Dolce and Gabbana. Whilst they may have more recently risen recently from the crowds of Coachella, history has proven that flower crowns will continue to weave in and out of fashion.



Due to the rising popularity of these gorgeous wreaths, we’re seeing more and more ways to incorporate flower crowns into special moments. You might think you can make your own, and luckily, Hobart how has it’s own flower crown party provider.

Queen of Crowns Hobart offers DIY flower crown kits for your hens party, bridal shower, wedding, or just a general girls day out! We love this idea so much that we’ll be hosting DIY flower crown workshops with Queen of Crowns Hobart at our Showcase Event on the 20th of October. Grab your ticket online to secure your spot, as they are super limited!

From oversize flowers to a few simple green sprigs, you can personalise flower crowns to your hearts content. Perhaps you could have your flower girls wear mini-crowns, or create unique ones for each bridesmaid, or ask your hairstylist about incorporating one for yourself.



Keep an eye out for DIY flower clips and more inspirational ideas in our next Issue of Pure Bride Magazine Issue #7, also out in October.


Images: By the Wilde

Styling: Honefig events

Flower Crowns: Queen of Crowns Hobart

2020 Wedding Trend Alert

With our next issue of Pure Bride Magazine just around the corner, we thought we’d update you on some of the trends we’ve seen recently that you can expect to see ramp up this summer. 
1. Theme it All White

Clean, crisp white always looks chic and is so versatile and works for every type of wedding, from a breezy beach bash to a glam, city celebration. You’ll be happy to know that the bridesmaids-wearing-white tradition is in fact longstanding, as it was said to confuse evil spirits! Only in recent years have bridesmaids started wearing colours. But hey, anything goes these days! You can still get creative and contrast gorgeous textures and showcase your besties’ personalities and preferences, so why not in white?

See our Pinterest board at for some more inspiration!

2. Crepe is Back

Crepe is back in a big way ladies. As soon as Meghan Markle stepped out hand-in-hand with Prince Harry wearing a Stella McCartney simple white silk crepe halter neck dress for their reception, crepe’s fate was sealed as a major trend for 2019. Flattering, comfortable and minimally chic, it’s no wonder these dresses are flying off the shelves, at reasonable price too! Still plenty more to see this summer, check out Made with Love stocked in both Hobart and Launceston!

Made with Love is bringing out plenty more of these gorgeous silhouettes. Stocked at Little White Boutique in Launceston and Confetti Weddings and Events in Hobart. 

What else can you expect to see? Fabulous corsetry and layering, fluffy frocks, bohemian gone romantic rebel, and modern volume and layering. We think 2020 is shaping up to be a trendy year…


3. Glamping Weddings

Glamping weddings are still booming as more people are opting for venues and locations off the beaten track.Weddings can also go so quickly, so the beauty of glamping is that you often get two nights and that makes it more of a holiday weekend for your friends and family. There are plenty of mobile glamping companies popping up around Tasmania, worth considering if you had a property in mind!



4. Individuality

Creating a celebration that reflects you as a couple has become the focus of planning a wedding in recent years… and hey, what a fun way to look at it! The day is all about YOU and your loved ones. Does that mean you elope just with the two of you and your fur babies? Or perhaps it means you have a festival wedding with an open invite! The choices are endless, and it means that no two weddings will be ever the same. 

But easier said than done, right? How do you make the day you? Don’t be overwhelmed, this is where choosing suppliers come in. With their expertise in bringing a vision to life, help is never far away. They’ve dealt with all different types of couples, so have seen it all and will pretty quickly pick up your vibe. Cookie-cutter weddings are a thing of the past, and Tasmanian local stylists have a whole lot of great things going on. 

Cat, a Real Tasmanian Bride from Issue 7 who had an intimate wedding of 20 guests on Tasmania’s East Coast advises others to just “do you” and choose suppliers that get you. 

In planning our wedding, the most important thing was trusting all of our suppliers and working with great people. On the day, we had 100% confidence that everything would be amazing – and it was.”

“The best thing we ever did was choose our venue, guest list (having a small wedding helped), suppliers, vibe and dates before chatting with our family. It gave us to really think through how we wanted our most special day to go.”


Come and meet more of Pure Bride’s partner suppliers at our Annual Showcase Event on the 20th of October, and they can tell you first hand how they work their magic!

5. Sustainability

Many couples are well aware today of the impact of hosting a large event, not just on their bank balance but also on the environment around them. More couples are now opting for environmentally friendly choices that contribute positively to the community around them.

Sites such as Less Stuff More Meaning provide handy tips for the earth-conscious bride and groom, from going zero-waste, finding healthier menu alternatives, to general advice on how you can make your event more planet-friendly. The Mindfully Wed e-Guide is a great place to start!


Winter Viking Wedding Shoot- Stellar Weddings

The island of Tasmania is full of incredible yet undiscovered creatives. This styled winter shoot coordinated by Stellar Weddings shows just that. No amount of snow turned these guys off, and we are thrilled to share this styled shoot with you.

By Stellar Weddings

When the idea of “Winter Viking Wedding” came to the girls at Kingbilly Flora, they knew it would be the opportunity of a lifetime to create a scene that showed just how incredible some of these undiscovered creatives were and thus these images were born. Kingbilly Flora created floral arrangements solely with dried flowers. The creative points for the pieces in this shoot were “Fierce and Bold Ruler”. They wanted to created pieces that made the couple Feel what they needed to project. 

 Tasmania has some of Australia’s best photographers. The scenery on this bountiful island is muse to our incredible artists behind the camera. But when it came to choosing a photographer for this shoot, only one came to mind. Otherwise known as “snow child” Shirley Bliss started as a Commercial Photographer specialising in food photography in the local restaurant scene. Her ability to evoke emotions through inanimate objects led her to pursue Wedding photography. Where there’s passion, she will make you feel it. And that’s exactly what she did in this shoot. Shirley now photographs a combination of multiple genres that she has accumulated through her photography journey. Food, fashion and passion, she can capture it all and give you all the feels.

With so many wedding boutiques across Tasmania it was difficult to choose a dress we knew would “fit the bill” but after a lot of research we came across a boutique that we couldn’t go past. A local fashion boutique- Strutt Design Studio. They  specialise in bridal and formal wear. When we told Strutt about this collaboration they were on board straight away and without so much as a conversation they knew they had the perfect dress to fit the scene and that they did. Every element of this dress was perfect for this shoot. 

The make up was created by Tanisha Koops. Tanisha needed no guidance. In the door at 7am on the day of the shoot, having never met, she made us feel so confident in her ability to create the look that was needed. “Fierce” was the word she gave us and we agreed. Within an hour she had our bride looking like the most Boss bride you’d ever seen. 

You can’t have a Viking wedding without Viking armour, right? The props were handcrafted by a local Dad & Daughter team- Victor and Elisabeth Soo. They create props with foam: otherwise known as the “Foamsmith”  these incredible pieces looked the part with unbelievable attention to detail. They were everything we dreamed of and more. 

Finally, the couple. Toby and Esther Long. Both medical professionals, they share not only their work space but the most intense passion for each other both on and off camera. These guys had us feeling all kinds of emotions! Although this wasn’t their actual wedding, you would never have guessed it. Their love for each other just as strong as the day they said “I do” over three years ago. If you love a good Nicholas Sparks movie, you’d love this couple! 


Social Media Handles:

Photography: @Stellar.weddings 

Dress: @Struttdesign

Make-up: @Tanishakoops 

Concept & Flowers: @Kingbillyflora Props: @Makeroos 

Models: @Esthermlong & @toobyl

Christine & Harry

Sandridge Estate, North West Tasmania

Photographer: Michelle Dupont

Emily & Luke

Pure Bride Issue #6

Location: Mt Rumney

Photographer: Agape Media House

Jenna & Matt

Issue 5, Pure Bride Magazine. 

Quamby Estate, Northern Tasmania

Photographer: Clint a& Bethanie

Caitlin & Jo

Acoma Photography

North West Tasmania- Highfield House, Stanley

Carla & Robert

Issue #5- Real Weddings

Michelle Dupont Photographer

Entally Estate, Hadspen North Tasmania

Stories Within Stories: With Nina Hamilton

Tasmanian wedding photographer Nina Hamilton is one adventurous lady. A seeker of stories, she writes from the heart about personal bravery, the power in being present, and learning how not to be your own worst critic. 

We comprise many stories; we collect them in the everyday with each experience, interaction and conversation. We carry them with us as memories, as scars, as badges of honour. Your wedding day becomes a significant part of your story; it is a celebration of a threshold, or intersection, from one part of your story to the next. And it’s a story that deserves to be told.  

I tell stories with a camera. I consider myself an observer of people and life; a seeker of stories. I seek moments and stories in the ordinary, the everyday and the in-between – the best stories lie in the unexpected snippets of life. Visual storytelling is a skill I’ve refined through a combination of travel, people-watching and street photography. I compliment this by drawing on my background in architecture to inform the way I see and use elements such as light + shadow, pattern, texture, lines, form and colour.

I definitely never intended to photograph people and make visual stories. I was about 7 when got my first camera and started telling half-stories; by half, I mean that most of the people in my photos had no heads and were unidentifiable. At school, I wanted to be a journalist. I had my sights set on being a foreign correspondent, collecting stories of human experience from some crazy corners of the earth. But my involvement in the Port Arthur Massacre in 1996 and watching the way the media worked made me realise that I didn’t have it in me to elicit stories from people who were grieving or under distressing circumstances. Instead, I ended up studying architecture and developed an interest in humanitarian design. This lead me to volunteer and work in India, South Africa and Uganda. It was during my 2 years living in Uganda, and traveling East Africa, that I learnt to photograph people. I undertook a pro-bono documentary project in Myanmar in 2018 which finally brought together my love of architecture and photojournalism; and took me out of my comfort zone.

In the creative fields, it’s easy to become comfortable, even complacent, with your process and output, and become static. Pushing yourself out of your comfort zone, broadening your knowledge and skills, and learning from others in your industry is essential for professional and personal development. Most of us are visual learners, so workshops are perfect learning tools.

When I signed up for the EXSPD Adventures at Mt Hotham earlier this year, it looked like a pretty straightforward workshop, with the promise of “photography, adventure, hiking, fires, beers and good vibes”. Sure, I hung out with a bunch of incredible photographers and speakers, drank beer (and gin), took photos in the most amazing light (yes, lightgasms are real) and learnt a few tips from the pros. However, the workshop far exceeded everyone’s expectations. And some of us took away personal stories.


I had no idea that my time on the mountain would become a very personal, and crucial, turning point. It began with an unexpected conversation, on the first afternoon, with Si Moore (Bayly & Moore). We discussed my architectural and design roots and I mentioned that I was hesitant to share most of my work. I have a lot of work that I don’t share; I’m my own worst critic and I fear it’s not enough. Part of me knows this is absolute bollocks, but my anxiety always screams louder and overrules the rational voice in my head. Even though I’m creating images for others, I still find it a very personal process; and I’m apprehensive about how others will view them. The conversation took a sharp turn:

Si: Show me something interesting plz.
Nina: Here, look.
Si: Holy fuck, just do that forever.
Nina: K, bye.
Si: What just happened. AMAZE. *eats cold pie*

In the days that followed, I did a lot of observing and listening and, as a result, I made some stuff that I had no idea I was capable of making (even though it has been in me all along). I was finding traces of architecture throughout the wild landscape and (finally) drawing upon the plethora of architectural knowledge that was once second nature to me (light/shadow/lines/pattern/texture) when composing photos. I had misplaced that intuition.

Then, on the top of Mt Hotham on the last night of the workshop, when the light was singing the most beautiful arias, I had an ‘ah ha!’ moment. I realised that it was the first time I had felt completely present for almost 6 years. I realised that I had finally been shooting with more purpose and intention than I had since I was in Africa. I realised that I wasn’t second-guessing myself. It was moment of clarity and a bloody magical feeling.

Postnatal depression is a bitch and for a long time, I wasn’t ok. It has become a big part of my own story and has taken me to some pretty dark places – most days it was a struggle to breathe and I felt completely numb to feeling very much at all. I also lost touch with my own identity. When the depression started to lift, anxiety slipped into the cracks. I still carry this anxiety with me. It was through hearing the personal stories of the speakers (and some of the participants) at the workshop that I was able to finally find my voice to share my own story. I don’t talk about it often; but seeing the vulnerability of those people in the industry who we often hold up as ‘invincible’ flicked something within me. 

We are all human, with human stories and human experiences. We are all imperfect, which makes us ‘us’. We are simultaneously strong and vulnerable, and we feel more feelings than we could ever name. I feel a lot of things and some days anxiety still gets the better of me. But we can turn our own stories and experiences into how we collect others’ stories. My experience with PND and anxiety allows me to be the calming voice when someone is on edge or nervous on a wedding day. It has made me more aware of noticing the most fleeting and quiet moments that might otherwise be missed. It is also the main reason why I believe in a people-first approach to wedding photography –  people, human connections and in-between moments first; the material details help tell the story, but they are not the most important part.


I want to make people feel in their hearts by seeing visual stories with their eyes. I want to document stories as they unfold in front of me. I want to visually narrate the realness of your day, creating beautifully honest stories of love and human connection. You see, you’ll want to look back on your wedding day – your story – and feel the words spoken, the deep belly laughs, the safe embraces, the gentle kisses, the stolen glances, and hilarious and heart-warming speeches. Because this is the stuff that’s at the very heart and soul of your celebration. 

Every wedding story is different; you’re unique and your relationship is as well. Your photos should be a real representation of who you are, your love and your togetherness. I want to tell your story in a way that feels true to you.

And the moral of this story? Be brave and put forward more work. Starting right now, by sharing my story.